Phillip Goatcher obituary, Sunday Times 10 Oct 1931Well known and popular painter and decorator of Perth whose death occurred on Thursday last in his 80th year. He is buried in the Anglican section of the Karrakatta Cemetery with his wife Emma who died aged 40yrs in 1913
Phil Goatcher – Photo SL NSW
The Goatcher Curtain
Boulder Town Hall
Arrow NSW 26 December 1896, page 1
The Goatcher Curtain is a priceless work of art hung in the Boulder Town Hall. It is believed to be the last remaining
working stage curtain of its kind. This spectacular curtain depicts the scene of the Bay of Naples,and has hung in the hall since 1908.
Visit the historic hall on Tuesday, Wednesday, and Thursday or on the Boulder Market Day’s to see the rare and famous Philip Goatcher Stage Curtain being lowered by its original pulley system. The Boulder Town Hall was built in 1908, and demonstrates the architectural style of the prosperous gold rush days. It is a beautifully preserved historic hall with pressed tin ceilings and wrought iron balustrades. The Hall was formerly a theatre famous for celebrity performances by Dame Nellie Melba, Eileen Joyce and Joan Sutherland.
Philip Goatcher was born on the 23rd November 1851, London, son of a scene painter. He left school in his early teens to work as a law clerk at Lincoln’s Inn Chambers. In his spare time he would visit Sadler’s Wells Theatre and at work he amused himself sketching stage art on office pads. At 14 he undertook an apprenticeship with a Liverpool shipping firm and sailed to Melbourne in 1867. He jumped ship and walked to Ballarat, then at the height of its gold rush, Philip’s sketches attracted the attention of John Hemmings, who had worked for the Theatre Royal, and was recognized as Melbourne’s leading scene painter. Hemmings predicted a great future as a painter for the young man but Philip had gold fever and moved on, first to New Zealand and then to San Francisco. It was there he met the young J. C. Williamson, an American actor and later a prominent theatre director in Australia. He became Principle Designer at Wallack’s Theatre in New York from 1875 – 1885. His work included designs for companies led by David Belasco, Edwin Booth, Dion Boucicault and Lillie Langtry was not until Goatcher returned to London that he began his new career in earnest.
The Goatcher Curtain
Philip painted stage sets and curtains at Drury Lane and Covent Garden and then returned to the U.S. where he married, had four children, and painted for most leading theaters. Philip divorced in 1890 after which he returned to England with two of his elder sons. While there he worked for both Henry Irving and Richard D’Oyly Carte. It is probable that this association with the successful Savoy operas influenced the offer made to him a year later in 1892 by J. C. Williamson J. C. Williamson transported him to Australia in 1890 as the highest paid scene painter in the world, 1000 guineas a year. Philip was nicknamed “Satin and Velvet’ Goatcher because of the textile illusions he created.
Mural by Goatcher in the Anglican Church Collie WA
Philip Goatcher has been described as one of the finest designers of the late Victorian style. His preference in stage design was for painting the ‘cloth’, that is the pictures at the back of the set, because in that work ‘nothing is left to mechanical effect. It is all art …”, his forte was the ‘trompe l’oeil” style. “Trompe L’œil” (trick the eye) is a form of illusionary art, designed to deceive the viewer into believing that depicted objects appear in three-dimensions instead of actually being a two dimensional painting. In Australia, Phil W. Goatcher as he signed himself, painted for most of J.C. Williamson’s opera and drama productions. Beginning in 1890 at the, Princess Theatre Melbourne with the set for the production “The Gondoliers”. Believing a drier climate would help his acute bronchitis, Goatcher came to Perth with his surviving son James and his second wife Emma in 1906. Together they set up a successful painting and decorating business in West Perth. His wife died there on Christmas Eve 1913. Goatcher had semi-retired in 1911 after his work for Williamson.
Phil Goatcher at work
He continued work in Perth and later took up land in Dalwallinu, in 1916, where he was a member of the Roads Board and a Justice of the Peace. Philip Goatcher died in West Perth on the 8th October 1931, aged 79. The Bay of Naples curtain at the Boulder Town hall is believed to be the only surviving theatre curtain of this form in the world. The Boulder curtain depicts a Neapolitan scene with the volcano, Vesuvius in the background, surrounded by tranquil water. This is recognition perhaps of the number of Italians working in the Eastern Goldfields at that time. The central figure is an orange seller and it was described in 1908 that at a distance of 60 ft each separate orange could be distinctly seen. It was painted in 1908 as a drop-canvas to complement and close the ‘picture frame’ stage. Goatcher painted the curtain for £50, less than a year after painting one for the Midland Town Hall. The curtain measures 6.25m in height and 8.45m in width, signed and dated ‘Phil W. Goatcher 1908’ was delivered to the Building Committee on 11th June 1908. Goatcher
Theatre Curtain Conservation of the Goatcher Curtain Over time the Goatcher curtain was forgotten, as the hall and stage scenery were less used. The curtain was in a state of disrepair largely because it had been intended to last only a limited number of seasons; as such the canvas was thin and unprimed, and the paints water soluble. The canvas became cut and torn in many places and the paint layer became unstable, dust water leaks, vandalism, tear and tear and neglect contributed to its poor condition. In 1991 a preliminary conservation report for the curtain was prepared by Gordon Hudson, of the Art Gallery of Western Australia. In 1994, a conservation report by professional artist and restorer Barbara Cena, M. A., estimated the cost of restoration at about $224,000. A community group called “Boulder’s Hidden Secrets” made up largely of volunteers took up the challenge to raise funds to carry out the work. Fundraising included years of selling postcards and conducting tours of the Town Hall.
Goatcher Curtain from the Dress Circle, Boulder Town Hall
The City of Kalgoorlie-Boulder also received funding from the National Estate grant program, a Commonwealth-finances grant scheme. The conservation project was carried out in 1997 by International Conservation Sydney at a cost of $250,000. The conservation process, which included placing the canvas on a new stretcher, took six months to complete Other remaining works by Philip Goatcher Given the ephemeral nature of stage scenery, often painted over as needed, it is believed that the Goatcher curtain at Boulder Town Hall is the only surviving Goatcher theatre piece in the world. Other examples of Goatcher’s art known to exist are a fresco mural in the chapel of St Gertrude’s School, New Norcia, an oil on canvas mural in the Romanesque style in all Saints’ Anglican Church, Collie, 1922 and an oil on canvas painting
“The Annunciation” in St John’s Anglican Church, Fremantle, 1916.
Ref:- City of Kalgoorlie Boulder Heritage, ABC Goldfields, Boulder Hidden Secrets.
Advertisement from 1904 – Kalgoorlie Miner
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